The core of my artistic practice revolves around memory and human connections. I am particularly interested in personal experiences, collective history, and emotional exchanges that transcend cultural boundaries, striving to materialize these fleeting moments into artistic works.

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Among my past creations, two works stand out as the most representative:

The first is a documentary that captures the state of the teahouse district in Wanhua, Taipei, a historically marginalized space closely associated with the sex industry, during the pandemic.Using a single photograph as a medium, I conducted interviews with local residents to explore how the pandemic impacted this community and how their memories of this space were shaped by the crisis. This work not only documents the unique social circumstances of that time but also sparked my interest in how memory is reconstructed through present events.

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The second work delves into family history and intergenerational dialogue. I documented my grandfather’s experience serving in the Japanese military during World War II and discovered his handwritten signature in the National Archives of Australia. In this piece, I structured the narrative through the interplay of two letters―one that I wrote to future generations and another imagined as a letter from my grandfather to me. Through this, I sought to express a dialogue that transcends generations, deepening my understanding that memory is both personal and an integral part of collective history.

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During my studing at Tokyo University of the Art , I was inspired by cultural exchanges and the Japanese

concept of “Ichigo Ichie” (one-time, one-meeting)to create a documentary centered on farewell. Moving forward, I hope to continue exploringhow memory flows and transforms across different cultural contexts through multimedia works, creating pieces that encourage audiences to reflect on their relationships with contemporary society.